Elements of the Day of the Dead altar (ofrenda)

The ofrenda (offering or altar) of the dead is a symbolic construction resulting from the syncretism of pre-Hispanic ideologies and European Abrahamic religious beliefs. The traditions associated with the Day of the Dead continue to evolve, and the purpose behind the celebration remains constant: ensuring that the beloved's souls will never be forgotten and, therefore, never die. It is believed that a person can experience three deaths. The first death is the expiration of the body. The second death occurs when the body is laid to rest. The third and final death happens only when we are forgotten.

The offering must be ready by October 31st to welcome the departed loved ones at dawn on November 1st and 2nd. The first Day commemorates children, and the second is dedicated to adults.

Working with the Royal Society of Sculptures, we produced a cultural programme exploring the traditions of Mexico’s Day of the Dead. The initiative featured a collective offering installation dedicated to sculptors Cecil and Dora Thomas.

The ofrenda (altar) of the dead is a symbolic construction resulting from the syncretism of pre-Hispanic ideologies and European Abrahamic religious beliefs. The traditions associated with the Day of the Dead continue to evolve, and the purpose behind the celebration remains constant: ensuring that the beloved's souls will never be forgotten and, therefore, never die. It is believed that a person can experience three deaths. The first death is the expiration of the body. The second death occurs when the body is laid to rest. The third and final death happens only when we are forgotten.

This ofrenda was dedicated to the sculptor Cecil Thomas, who lived in this house with his wife Dora and son Anthony before it was handed to the Royal Society of Sculptures.

Photographs of loved ones who have passed, are honoured on the middle of the altar. Their favourite food and drink is placed nearby to delight the dead, who visit the offering with their favourite food. A mat is often included for the dead to rest after a long journey. Alcoholic beverages are common for adults, reminding them of their joyful moments. Meanwhile, traditional sweets are offered to children.

The three levels of the offering represent the heavens, the earthly plane, and the underworld, symbolising the intersection of the material and immaterial worlds or the earthly and spiritual realms. Tradition holds that through the orange colour of the Cempasúchil (marigold) flowers, the souls of the departed find their way back to the world of the living. In ancient times, it was believed that the scent of this flower would attract the dead, and it was used to guide the souls to the altars in the world of the living.

The offerings typically allude to the four elements of nature. After their long journey, a glass of water is usually placed to quench the soul's thirst. Fire is represented by the flame of the candles, illuminating the path for the dead to find their way back home. The Papel Picado (paper-cut banners), which move with the slightest breeze, represent the elements of air and wind. Lastly, the earth is represented by various seeds, roots, spices, and other natural bounties.

Burnt copal (dry tree resin) is an element of prayer and praise to the gods and is used to cleanse the space if any evil spirits are present. Salt is the element of purification of the spirit, cleansing the dead during its journey to and from the afterlife. The arches on the sides are the gateway to the world of the dead

Calaveras translates to skull in Spanish and is the cultural and artistic representation of a skull or skeleton. The iconic Day of the Dead calaveras honour the departed souls, symbolise death, and celebrate life with humour and creative expression. In the middle of the altar is the image of la La Catrina, an iconic Mexican figure depicted as an elegant skeleton inspired by the aristocratic European fashions of the early 20th century. Created by Mexican artist José Guadalupe Posada, La Catrina is a satirical illustration intended to mock Mexicans who rejected their heritage in favour of adopting European fashions and customs and a way to remind people that they would all end up dead in the end.

Finally, you can find a tapete (carpet or floor dressing) on the floor. These are floor images made with seeds, flowers, and sawdust to create patterns or representations on the ground.

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Tiz Creel of Living Things Studio ©2025

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